




Kaleidoscope #1
Oil and mixed media on Italian cotton
Hannah Carrick's impressive debut at Tappan showcases her collection of artworks that highlight new beginnings and our relationship with nature. The colors used in her works, whether bright or subdued, represent healing, solitude, and happiness. Carrick aims to create a series that evokes feelings of joy and serenity.
Artwork Information
Year
2023
Materials
Oil and mixed media on Italian cotton
Authentication
Signed by artist.
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
31.5 x 39.5 inches
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text: 310-388-3425
email: info@thetappancollective.com
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âthe process of creating and using my hands generates a sense of healing and solitude. Painting and color is my therapy, my escape during darker times. I see my works as little windows of sunshine, nostalgia, and inspirationâ

About the Artist
Hannah Carrick
Hannah Carrick is a Byron Bay-based artist whose work is celebrated for its deep exploration of biophiliaâthe intrinsic connection between humans and the natural worldâand the transformative, healing nature of the artistic process. Known for her vibrant use of color and texture, Carrickâs art invites viewers to engage with themes of introspection, self-reflection, and emotional healing. Carrickâs distinctive style is characterized by bold color palettes and layered textures created with oil paints and mixed media, often centers on femininity and the female form. Through her pieces, Carrick fosters a contemplative space for dialogue between humanity and the natural world, offering insights into the profound connections between the two. Recent exhibitions include Rainbow Studios (Sydney, AUS), Yeah Nice Gallery (Byron Bay, AUS), Tappan (Los Angeles, CA) and Hake House (Sydney, AUS). Select publications include Harperâs Bazaar and Gourmet Traveller.
In Carrick's own words:
âFor me, the process of creating and using my hands generates a sense of healing and solitude. Painting and color is my therapy, my escape during darker times. I see my works as little windows of sunshine, nostalgia, and inspiration.â
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